Modehistorie, er beklædningens historie, set i et historisk perspektiv, hvor vor historie afspejles i beklædning.

Og beklædning er med til at skabe og fortælle vor historie.

Beklædning og moden afspejler den tid, vi lever i, og den tid vi har levet i.
De tider vi har lidt og de tider, hvor vi har sejret.

Mode og beklædning afspejler enhver følelse af vor tid, den vi har levet og den vi lever i.

Modehistorien, er dermed blevet et lige så faktuelt afspejlende billede af hvor tid og tiden før os, som historien i sig selv.

Og oftest er det beklædning og moden, der kan fortælle os noget om de forrige årtier og i særdeleshed vor forfædre.

Kategorien indeholder tekster og artikler, med et modehistorisk indhold.

Fra historien om vor forfædre, der bar pels og pyjamas og historien om de legendariske Breton stripes/Sømandsstriber, Sømandsstrikken.

Chanels etablering af herreinspirerede elementer i kvindemoden i 1920’erne.  Dior’s metervise af stof til fullskirt/nederdele og kjoler i 1947/1950’erne.

Til de militær-inspireret elementer og historien om denim i alle afskygninger.

Artikler og tekster med en reference og fortælling, der involveres i modehistorien.

Artikler og tekster, jeg har skrevet og udgivet enten på dansk eller engelsk. Både som skribent og tekstforfatter.

En soldats bekendelser

Dengang var vi alle soldater i krig og, som dem i uniform og rustning, bar vi ligeså vor uniform og rustning og i den, kæmpede vi for en bedre verden. En verden, hvor man kunne klæde sig som man ønskede - i modens, forfængelighedens, statusens og/eller personlighedens tegn. Der var engang, hvor det maskuline køn, var soldaten i fronten, bevæbnet med sko med så lange snuder, at de balancerede på grænsen til det avantgarde. Blonder/kniplinger, så fint og feminint, som kun kunne tælles i hobetal, såvel som sko med høje hæle og makeup, hvor læberne var så røde som blod og hud og hår, så hvid som sne. Der var engang, hvor det feminine køn indtog fronten og bar, som uniform, overdimensionelle hatte og korset i pyntesygensnavn og sidenhen blev befriet fra snørelivet og tog del i det maskulines køns garderobe. Der var engang hvor revolutioner ej blot hørte til historiebøgerne, men blev skrevet ind, som en del af (mode)historien. Der var engang

Fortsæt med at læseEn soldats bekendelser
Read more about the article L’uniform de avantgarde
credits: www.sceneavantgarde.com

L’uniform de avantgarde

For years, decades and even centuries, soldiers from almost every nation, were sent to battle, war and even world wars, wearing their required military-uniform. A uniform, worn by the armed forces of various nations, in combat and mud. A uniform, that changed from one country, battle, war and decade to another. With inspiration from the thirty years war in the 1600s, the naval wardrobe of the french soldiers two centuries later in 1850s, the first world war, the Golf war, the Crimean war. and the second as well, the military scene became the uniform of the avantgarde.

Fortsæt med at læseL’uniform de avantgarde
Read more about the article The true Mariniére
Pressefoto: Mads Nørgaard Copenhagen

The true Mariniére

The true Mariniére appeared at the seaside of France, in the late 1850’s. Surfacing as a naval wardrobe, that later on appeared on local fishermen, yachtsmen and others enjoying the seaside-life - while wearing a shirt covered in stripes. It has been seen on the well-known artist Pablo Picasso and the french fashion designer Coco Chanel, who also introduced the classic striped shirt to women’s fashion in 1917, by taking inspiration from the fishermen at the very same seaside of France. And by that, the true Mariniére became a solid part of the fashion scene.

Fortsæt med at læseThe true Mariniére

MEN WRAPPED IN FUR

Men have been wrapped in fur for ages and are now once again. Since the border between X and Y have been erased in the scene of fashion, fur is no longer related to gender. In fact fur, as a garment or material for clothing, has a long history and mankind have worn this beautiful and warm material for millennials, with no affiliation to gender. It is known to be the oldest material used for clothing and can be dated back to the times of some of our oldest ancestors - The Neanderthals from the Pleistocene in the stone age, millennials ago.

Fortsæt med at læseMEN WRAPPED IN FUR
Read more about the article The Pyjamas
From Baum und Pferdgarten SS17 collection - Photo: www.copenhagenfashionweek.com

The Pyjamas

With relations to casual evening wear, sweet dreams and bedtime storries, the pyjamas, which used to belong to the private and intime part of life, often held inside the walls of the bedroom and the secret and most intimate part of every woman’s wardrobe, for centuries, appeared on the fashion scene and then on the streets. Conquering it’s former glory and taking us back to where it all began.

Fortsæt med at læseThe Pyjamas
Read more about the article The Androgynous Look
Picture: https://lookbook.nu/look/5869103-Bandana-H&M-Cardigan-Schwarzer-Reiter-Berlin

The Androgynous Look

The androgynous look or the connecting of the masculine and feminine sides, by moving the feminine over to the masculine and vice versa, where lines between gender had been erased or at least had become invisible to the naked eye a long time ago, still takes it dominating part on the fashion scene!

Fortsæt med at læseThe Androgynous Look

Toasting Moët & Chandon

Moët & Chandon are among the most famous, finest and oldest champagnes in the world. With more than a 200 years story that can be traced back and even connected with some of the worlds most famous personalities from royal identities to political figures and epochal fashion characters, through the years. In other words: Moët & Chandon are a part of the world history on more than one occurrence and in more than one sense. A story that from time to time looks like and capture the spirit of a fairytale, with both royal figures, challenges, magical moments and even a happy ending can be found.

Fortsæt med at læseToasting Moët & Chandon

NORMCORE

When Normcore became the new black and-one-and-the-same phenomenon took part in an aesthetic game with political dimensions and raised the question of a fashion revolution of our time. It appeared on the streets and ended in the fashion lexicon, somewhere between another fashion week or another collection.

Fortsæt med at læseNORMCORE